Canadian Art History- The Human Figure

Running head : CANADIAN ART HISTORYCanadian Art chronicle : The Human FigureName of StudentName of College /UniversityName of ProfessorCourseCanadian Art History : The Human FigurePaintings of the past stand for different levels of human existence Still images ar captured by the use of different mediums to emphasize a certain base that is aesthetically interesting . Pablo Picasso once stated that artists paint subjects as they think them and not as they see them . Such posture from a world renowned painter reassures the creativity of artists who abut their idea of reality onto an empty canvas . Artworks generally figure the realm of the subconscious mind which is concretized through the image imprinted by the artistCanadian art of the past distinctly features tones of subtle neutrality and love-in-idleness that reflects European traits . Techniques used on such artworks gradually fuse diversity of origin as well as a spiritual outlook on life .

Spirituality was inherent in most artworks of the past since the Catholic Church was a prime mover of the arts in early Canada particularly in Quebec , which has led to the promotion of nationalism . The combination of European methods and Asian influences comprises Canadian modern artFor this , the chosen Canadian artworks to be examined are Soeur Sainte-Anne from Antoine Plamondon and Endymion and Selene from Ozias Leduc . It will focus on the elements that are composed in each painting and the various themes presented in the imagesPlamondon s painting of Soeur Sainte-Anne was said to be...If you want to get a total essay, order it on our website: Ordercustompaper.com

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