Capturing the Essence of Creation

We see the storyteller is inattentive with the practice sessions before him, primarily because he understands that it is in these ss that the eldnt is roughly being real without any attempt to give or perform for others. He also understands it is in these bits that atomic number 18 most real that something becomes lost once the purpose of much(prenominal) moments argon for the spectators as much as the creators of them. As he maintains, "?it is worth recording that long before the genus Circus comes to town, its most notable performances have already been given?In a week or two whole would be changed, all (or almost all) lost: the girl would come in makeup, the horse would wear gold, the ring would be painted, the bark would be clear for the feet of the horse, the girl's feet would be clean for the slippers she'd wear. All, all would be lost," (White 3). In this description the narrator is recognizing the futility of trying to provide permanence to raw(a), unvarnished moments of creation in eon in a world where time at last destroys all. As he argues, "The richness of the scene was in its plainness, in its natural condition," (White 3).

For it is in the natural moment of creation that time stands still or appears linear to the narrator. formerly the girl becomes sensible of performing for others or of trying to perfectly create, something will be lost. It is exactly in this

It is only when able to observe without injecting one's self onto the moment, only in the trim back creation and feeling of the moment that one most captures life, i.e. time. Once conscious awareness or purposefulness is attempted, the moment is lost. This is wherefore the narrator the circus is a microcosm of the world whose "magic is general and complex", like the universal complexity of capturing a moment of time, (White 2). This is also why the narrator explains that "a man has to hear the circus unawares to experience its full continue and dish out its gaudy dream," (White 2).

Once it is "show time" the full impact is lost due to artifice and purposefulness. White once admitted in an interview that in any piece of writing "natural candor?is the basic ingredient," (Apparatus 1).

natural moment of creation that anything natural or impermeable to time's destruction can be felt, absorbed, or known. As he writes of her practice session, "She is at that enviable age in life when she believes she can go once almost the ring, make one complete circuit, and at the end be exactly the same age as at the start," (White 3).

The circus maintains such an impact on the narrator because during practice is when the performers are lost in the bliss of creating, lost in the moment without conscious awareness, and hidden from spectators who will expect something from them. As Nordquist says, of White's destination of writing, "?it is the romantic duty of the writer to find inspiration within so that he may create and not just copy", (6). This is exactly what brings us to the final paragraph of The striation of Time, when the narrator tells us that without exuberance, candor,
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