A Generation on the Road

The result was Kerouac's "spontaneous prose," a rapid outpouring of words and ideas onto paper with little or no editing, the idea beingness that the mind's unconscious selection and structuring would cause a truer, purer, and richer discourse. (1197)

Kerouac used the term "beat" to describe twain the negatives of his world and the positives of his responses to it. "Beat" implied weariness and apathy toward cordial or political activity, feelings of disillusionment, bitterness, and an overwhelming desire to be free of social constraints.

Unplanned writing, heedless of grammar, sexually blunt language, and uninhibited intelligence of personal experiences, signal the signature of Beat attitudes and prose. Constant cross-country road trips, with frequent stops for sexual escapades, seem like a frantic quest without an objective except the highs of being on the road.. The major works of the movement are Kerouac's romance On the Road, Burroughs's novel Naked Lunch, and poems such as Ginsberg's " th below" and Gregory Corso's "BOMB." Notoriety and publicity helped to create a literary groundswell under them. The rebellious image of the Beats appealed especially to the Holden Caulfield generation, and Beat admirers emerged in major cities and university towns as the precursors of the hippies of the following decade.

Although they advertised themselves as a generation, the Beats represented only one of the some(prenominal) significant literary styles and m

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