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Tuesday, April 9, 2013

This is an annotated bibliography that deals with articles concerning the novel Heart Of Darkness and the film Apocalypse.

Annotated Bibliography: Heart of duskiness & Apocalypse straightway

Bodek, Richard. Conrads Heart of Darkness The Explicator 59 (2000): 25. In this article Richard Bodek discusses the implications of Kurtzs famous final dustup to Marlow, The horror! The Horror!. Of great importance to the novels meaning is not only why Kurtz said this, but why Marlow headstrong to lie about it. Bodek poses the idea that in heavy Kurtzs fiancée that the last word he pronounced was her name, Marlow was actually telling the truth. If Kurtzs intended is meant to act as a personification of European culture in all of its ambivalence then what she represents is, in fact, the horror to which Kurtz was referring. Bodek dissects the Kurtzs final scene, tying in many of the novellas indispensable themes. Among those explored are the unreliability of emotions, the relentlessness of European imperialism, and the human might for dangerousness.

Costanzo, Linda Cahir. Narratological Parallels in Joseph Conrads Heart of Darkness and Francis Ford Coppolas Apocalypse Now Literature-Film Quarterly 20.3 (1992): 181-88. Costanzos article is a comparative piece relating the report structure of the novel to the film. Although the text details some of the differences amid the functions of the novella and films narrators (Marlow and Willard, respectively) it is primarily concerned the similarities between the two.

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Costanzos primary logical argument is that both characters are used similarly to demonstrate the overwhelm conflict of morality that surrounds them. This is a conflict that can be embodied within a single person, as it is in Kurtz, or by the ethical problems brought about by imperialism and war. Costanzo shows how this surroundings of immorality leads to alienation in those who are able to croak it, using the two narrators as examples.

Greiff, Louis K. Soldier, Sailor, Chef: Conrads Ethics and the Margins...

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