The Shipwreck

The carcass of the dead girl is a tragic emblem of the uncaring side of nature, which finish her newly begun life in its tempest. One woman sees the body of "her child in her sister's arms, as if the sister had meant to be free-base thus; and within three days after, the mother died from the solvent of that sight" (Thoreau 7). Thus, the calming, gentle link with nature depicted at Walden Pond in which man and nature commune unneurotic becomes a link by which man is victimized beneath the power of the much greater and eminently destructive internal forces around him.

After witnessing the grisly sight of the storm-ravaged dead, Thoreau asks, "Why get by for these dead bodies? They really have no friends but the worms or fishes" (12). He has discovered that nature is not the friend that he originally thought; it is instead a destroyer of the young-not a nurturing presence as before but a wise and insurmountable force that leaves man no way of escape.

The victims of the ruin all succumbed to the force of nature, and

fibre 2. How does Thoreau reconcile his vision of the sea with Robert Frost's view of nature?

Walls, Laura Dassow. " scientific discipline and the Shaping of Nineteenth-Century American Literature." Literature of Nature. Eds. Patrick D. Murphy, Terry Gifford, Katsunori Yamazato.

Thoreau realizes that nature's seeming scent is just one side of a multi-faceted phenomenon that is equally satisfactory of destroying lives as it is of bringing about their birth.

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