The Cinematography for "Traffic" Movie

Soderbergh chose to use only operational start out in the movie whenever possible but comments in production notes that this was not always possible:

[We] had lots of conversations healthful-nigh using natural light. So it was a pretty left(p) moment the starting time day of production, when we showed up at the first location and the light was not great. Sure enough, we had to haul the 18-K light off the truck. I thought, 'Oh-oh, here we go?It's really about creating the feel that you just showed up and shot. There is an art

Steven gave a very specific cinematic look to each location: In San Diego, he utilise a film processing technique called 'flashing.

' In the desert, he changed the shutter angles and utilise a tobacco filter. In Cincinnati, he used a blue filter. The locations were mainly chosen for how well and how easy they would be to light? Throughout the shoot, I used a lot of pensive surfaces. With the strong light sources, reflective pieces make the environment come alive, so there are lots of mirrored surfaces and gold and brass accents. Also, the way Steven was m
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