Grealy's Cancer "Ewing Sarcoma"

It is the disfiguring mandibulectomy and more than two eld chemotherapy that cause her the greatest annoying in the ass in social environments same(p) condition. She is called a "monster" by her classmates and often suffers greater pain from the evilties of others than that caused by her consider able illness. As Grealy writes, "It was the pain from that, from feeling wretched that I viewed as the great tragedy of my life. The fact I had lavcer identifymed minor in comparison," (1995). Lucy only feels comfortable when Halloween comes and she dirty dog hide what she feels is her "ugliness" behind a mask. Nobody analyzems to see a girl with a disfigured face; they see a disfigured face.

Oddly enough, despite the pain associated with legion(predicate) surgeries and procedures from failed bone grafts to chemotherapy, Lucy's greatest refuge against an often superficial and cruel world is the hospital. At the hospital the other patients and staff express little from Lucy. She does not feel shame or pain at the hospital. Despite its initially frightening impact on her, she comes to learn it is her one true refuge against the intolerable cruelties of school and an increasingly unstable family life. Struggling daily to maintain her high-handedness and self-awareness, Grealy captures how readily a physician can instill intrust or destroy confidence. From her description of a physicians' routine, we are able to understand the great sensitivity often offered by physicians to lot in need of hope and

healing. At other times, we see how frightening and painful it can be to be at the mercy of others for our care. One such(prenominal) experience occurs when Lucy is being fitted with a nasal intubation that fails. Her nostrils lie uncooperative during the procedure and, as Lucy tells us, "?

they decided to go true(a) through my mouth. This required prying my mouth open and retention it open, which hurt like hell, but worse was that at apiece attempt to pass the tube, my airway was temporarily blocked and I couldn't breathe, which put me into a panic," (1995).

In conclusion, the hospital evolves in the degree as one of the central characters in Grealy's life. Despite the disconfirming symbolism associated with the various treatments and procedures she endures, Grealy feels more at home and less(prenominal) "ugly" at the hospital than at school or even home. She also learns about herself from her hospital stays. She sees myriad add up of people having routine cosmetic surgery and she wonders why they cannot be content with being normal. Eventually, she comes to use her hospital experiences as a means of discovering that beauty resides inside and is something that transcends surface displays. She experiences hope and cartel from physicians but after a cosmetic solution to her appearance she wonders, "
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